{"id":7225,"date":"2018-10-24T14:07:02","date_gmt":"2018-10-24T20:07:02","guid":{"rendered":"http:\/\/www.podles.org\/dialogue\/?p=7225"},"modified":"2018-10-24T14:08:48","modified_gmt":"2018-10-24T20:08:48","slug":"mount-calvary-music-october-28-2018","status":"publish","type":"post","link":"http:\/\/www.podles.org\/dialogue\/mount-calvary-music-october-28-2018-7225.htm","title":{"rendered":"Mount Calvary Music October 28, 2018"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\u00a0Healing of Bartimaeus, Eustache Le Sueur 1625-1650<\/em><\/p>\n

________________________<\/p>\n

Mount Calvary Church<\/span><\/p>\n

Eutaw Street and Madison Avenue<\/p>\n

Baltimore, Maryland<\/p>\n

A Parish of the Roman Catholic Ordinariate<\/p>\n

The Chair of Saint Peter<\/p>\n

Trinity XXII<\/strong><\/p>\n

October 28, 2018<\/p>\n

______________________<\/p>\n

Ordinary: H. Willan<\/p>\n

______________________<\/p>\n

Organ Prelude<\/strong><\/p>\n

Toccata in F BuxWV 157<\/em>, Dietrich Buxtehude (1637-1707)<\/p>\n

Here is\u00a0Fran\u00e7ois-Henri Houbart<\/a>.<\/p>\n

Organ Postlude<\/strong><\/p>\n

Ein feste Burg<\/em>, Johann Gottfried Walther (1684-1748)<\/p>\n

Here is\u00a0Harm Woltjer<\/a> op het orgel van de grote of sint Janskerk\u00a0te Wijk bij Duurstede.<\/p>\n

_____________________<\/p>\n

Anthems<\/strong><\/p>\n

Heinrich Sch\u00fctz (1585-1672)<\/p>\n

Die mit Tr\u00e4nen s\u00e4en, werden mit Freuden ernten.<\/em>
\nSie gehen hin und weinen<\/em>
\nund tragen edlen Samen<\/em>
\nund kommen mit Freuden<\/em>
\nund bringen ihre Garben<\/em><\/p>\n

Here is Sestina Vocale<\/a>.<\/p>\n

_________<\/p>\n

Antonio Caldara (1670-1736)<\/p>\n

Transeunte Domino clamabat coecus,<\/em>
\nJesu, Fili David, miserere mei.<\/em><\/p>\n

Here is the United Continuo Ensembl<\/a>e.<\/p>\n

________________________<\/p>\n

Hymns<\/strong><\/p>\n

Thine arm, o Lord, in days of old<\/em><\/strong> \u00a0is by Edward Hayes Plumptre (1821\u20131891), who wrote it for King\u2019s College Hospital, of which he was chaplain.<\/p>\n

The hymn\u2019s biblical basis is in the healing miracles of Jesus described in the first nine chapters of St. Mark, particularly Mark 6:53-56. The hymn strikes a positive note, with words such as \u2018strong\u2019, \u2018calmed\u2019, \u2018almighty\u2019, \u2018deliverer\u2019 and \u2018soothe\u2019 stressing both the power and gentleness of God. The first verse describes the sick, with their various afflictions, coming together to seek healing from Jesus. The second verse draws in both those who are able to go about their business and the bedridden, \u2018in crowded street, by restless couch\u2019 and links them to those healed in the past \u2018by Gennesareth\u2019s shore\u2019. In the third verse, both the healers and the sick ask for God\u2019s help and support and take part together in praising him.<\/p>\n

Here is Norwich Cathedral Choir<\/a>.<\/p>\n

Comfort, comfort ye my people<\/em><\/strong> is a paraphrase of Isaiah 40:1-5, in which the prophet looks forward to the coming of Christ. More specifically, the coming of the forerunner of Christ \u2013 John the Baptist \u2013 is foretold. Though Isaiah’s voice crying in the desert is anonymous, the third stanza ties this prophecy and one from Malachi (Malachi 4:5) to a New Testament fulfillment. \u201cFor Elijah’s voice is crying In the desert far and near\u201d brings to mind Jesus’ statement, \u201c’But I tell you that Elijah has already come, \u2026.’ Then the disciples understood that he was speaking to them of John the Baptist.\u201d (Matthew 17:12, 13 ESV).<\/p>\n

This hymn is a translation by Catherine Winkworth (1827\u20131897) of Tr\u00f6stet, tr\u00f6stet meine Lieben<\/em>, by Johann Olearius (1611\u20131684).<\/p>\n

Here is the Canto Deo Choir<\/a>. Here is a lively version<\/a> by the First Plymouth Church of Lincoln, Nebraska.<\/p>\n

Hail to the Lord\u2019s anointed<\/em><\/strong>, a free paraphrase of Psalm 72, was written by the Moravian James Montgomery (1771\u20131854). Psalm 72 is a well-known prophecy of the coming Messiah \u2013 foretelling the reign of the King and what the Kingdom of that Messiah will be like. But perhaps more than a prophecy, Psalm 72 is a prayer. In these verses the psalmist calls upon God to give justice and righteousness to the King, perhaps the newly crowned earthly king of Israel, but also the heavenly king. It is a cry for the deliverance of a broken people, for the realization of peace and light. The Messiah already brings justice and healing to the oppressed, as a foretaste of His final triumph over sorrow, sin, and death.<\/p>\n

Here is St. Bartholomew’s<\/a>.<\/p>\n

The tune WOODBIRD is from a folk song,\u00a0ES FLOG EIN KLEINS WALDV\u00d6GELEIN. Here is the song<\/a> and here are the words:<\/span><\/p>\n

Es flog ein kleins Waldv\u00f6gelein,
\nder Liebsten vor die T\u00fcr,
\nklopft an mit seinem Schn\u00e4belein,
\ngar still mit aller Zier:
\nIch bin soweit geflogen
\nin Kummer und Sorgen gro\u00df,
\ndoch still und ganz verborgen
\nder Liebsten in ihrn Scho\u00df.So gr\u00fc\u00df dich Gott im Herzen,
\ndu sch\u00f6ns Waldv\u00f6gelein!
\nVertreibst mir viel der Schmerzen,
\nda\u00df du bei mir kehrst ein:
\nBist du so weit geflogen
\nin Kummer und gro\u00dfer Gefahr:
\nDir bleib ich g’neigt und g’wogen
\nmit gro\u00dfer Liebe gar!Bin ich geflogen \u00fcber Berg und Tal
\ndoch mit sehr gro\u00dfer M\u00fch:
\nUnd such mein Lieb ganz \u00fcberall,
\ntrag Sorg, sie sei nicht hie.
\nHerzlieb! bist du vorhanden,
\ntr\u00f6st mich Waldv\u00f6gelein,
\nin dein schneewei\u00dfe H\u00e4nde
\nschleu\u00df du, Herzlieb, mich ein!<\/p><\/blockquote>\n

\r\n\t<\/div>\r\n","protected":false},"excerpt":{"rendered":"

\u00a0Healing of Bartimaeus, Eustache Le Sueur 1625-1650 ________________________ Mount Calvary Church Eutaw Street and Madison Avenue Baltimore, Maryland A Parish of the Roman Catholic Ordinariate The Chair of Saint Peter Trinity XXII October 28, 2018 ______________________ Ordinary: H. Willan ______________________ Organ Prelude Toccata in F BuxWV 157, Dietrich Buxtehude (1637-1707) Here is\u00a0Fran\u00e7ois-Henri Houbart. Organ Postlude […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[1229,1318],"tags":[],"class_list":["post-7225","post","type-post","status-publish","format-standard","hentry","category-hymns","category-mount-calvary-church","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/7225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/comments?post=7225"}],"version-history":[{"count":5,"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/7225\/revisions"}],"predecessor-version":[{"id":7231,"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/7225\/revisions\/7231"}],"wp:attachment":[{"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/media?parent=7225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/categories?post=7225"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/tags?post=7225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}