{"id":8113,"date":"2020-09-16T18:31:05","date_gmt":"2020-09-17T00:31:05","guid":{"rendered":"http:\/\/www.podles.org\/dialogue\/?p=8113"},"modified":"2020-09-16T18:31:23","modified_gmt":"2020-09-17T00:31:23","slug":"mount-calvary-music-for-trinity-september-20-2020-trinity-xv","status":"publish","type":"post","link":"https:\/\/www.podles.org\/dialogue\/mount-calvary-music-for-trinity-september-20-2020-trinity-xv-8113.htm","title":{"rendered":"Mount Calvary Music for Trinity September 20, 2020 Trinity XV"},"content":{"rendered":"

\"\"<\/a><\/p>\n

The Parable of the Workers in the Vineyard<\/strong><\/em>, Lawrence Ladd (c. !880)<\/span><\/p>\n

 <\/p>\n

Mount Calvary Church<\/strong><\/span><\/p>\n

A Roman Catholic Parish<\/p>\n

The Personal Ordinariate of S. Peter<\/p>\n

Eutaw Street and Madison Avenue<\/p>\n

Baltimore, Maryland<\/p>\n

Rev. Albert Scharbach, Pastor<\/em><\/p>\n

Andrew Johnson, Organist and Music Director<\/em><\/p>\n

Trinity XV<\/span><\/p>\n

September 20, 2020<\/p>\n

8:00 A.M. Said Mass<\/p>\n

10:00 A.M. Sung Mass<\/p>\n

This mass will be\u00a0live streamed.<\/a><\/p>\n

___________________<\/p>\n

Organ Prelude<\/strong><\/p>\n

Sonata VI: Andante<\/em><\/a>, Felix Mendelssohn (1809-1847)<\/span><\/p>\n

This morning\u2019s organ prelude is the last movement of Mendelssohn\u2019s sixth and final organ sonata. Rather than ending with a lively, virtuosic finale, the composer closes with this simple, newly-composed chorale in a pastoral style.<\/p>\n

Organ Postlude<\/strong><\/p>\n

Immortal, Invisible, God Only Wise<\/em>, arr. Matt Limbaugh (1949- )<\/p>\n

Matt Limbaugh was Organist at First Baptist Church in Mauldin, South Carolina from 1985 to 2015. His setting of \u201cImmortal, Invisible\u201d begins with a festive introduction and march, then transitions into a dance-like meter with the melody played by the feet.<\/p>\n

Offertory Anthem<\/strong><\/p>\n

Sicut cervus<\/em><\/a>, G.P. Palestrina (1525-1594)<\/p>\n

Sicut cervus desiderat ad fontes aquarum,<\/em>
\nita desiderat anima mea ad te, Deus.<\/em><\/p>\n

As a hart longs for the flowing streams,
\nso longs my soul for thee, O God.<\/p>\n

Giovanni Pierluigi da Palestrina was the premier composer of sacred music in 16th century Italy. His smooth and refined compositional style emphasizes the intelligibility
\nof text and remains the model of Renaissance polyphonic writing. In this setting of the first verse of Psalm 42, the composer\u2019s long melodic lines are an outward expression of the scripture\u2019s inward longing for Christ.<\/p>\n

Communion anthem<\/strong><\/p>\n

Beati quorum via<\/em>, C. V. Stanford (1852-1924)<\/p>\n

Beati quorum via integra est,<\/em>
\nqui ambulant in lege Domini.<\/em><\/p>\n

Blessed are the undefiled in the way,
\nwho walk in the law of the Lord.<\/p>\n

Charles Villiers Stanford was an organist, professor, and composer in the late 19th and early 20th centuries. This anthem is the third of his Three Latin Motets, which sets the first verse of Psalm 119. The composer utilizes several different combinations of the six voice parts, particularly repeating phrases with the higher and lower three voices.\u00a0The piece is in A-flat major and 3\/4 time, marked Con moto tranqillo ma no troppo len<\/em>to (In calm movement but not too slow).<\/p>\n

Hymns<\/strong><\/p>\n

All my hope on God is founded <\/strong><\/em><\/a>(MICHAEL) is a free translation by Robert Bridges (1844-1930) of “Meine Hoffnung stehet feste” were written around 1680 by Joachim Neander. In 1930, Dr Thomas Percival\u00a0 Fielden, director of music at Charterhouse School, sent Bridges’ text to a friend, composer Herbert Howells, requesting Howells compose a new setting of the hymn for use at the school. Howells received the request by post one morning, in the middle of breakfast. Almost immediately a tune suggested itself to him and the hymn was apparently composed on the spot (in the composer’s words) “while I was chewing bacon and sausage.”\u00a0Fielden was one of the editors of The Clarendon Hymn Book<\/em>, and when that book was published in 1936 he chose to include the hymn. Howells’ son Michael had died in childhood the previous year, and in tribute Howells rechristened the tune Michael.<\/p>\n

Jesus, priest and victim<\/em><\/strong> (KING’S WESTON<\/a>) has words by the Dominican nuns of Summit. The tune KING\u2019S WESTON is by Ralph Vaughan Williams\u2019 melody, reverently in its somewhat somber manner. It has strong appeal, not least because it features a lovely, mournful folklike quality in the Dorian mode. The short lines of each stanza end in a dotted whole note, emphasizing the rhyme and the meaning.<\/p>\n

Immortal, Invisible, God only wise<\/a>\u00a0<\/em><\/strong>(ST. DENIO) by William Chalmers Smith (1824\u20141908), is a proclamation of the transcendence of God: \u201cTo the King of ages, immortal, invisible, the only God, be honor and glory for ever and ever\u201d (1 Tim 17). No man has ever seen God, who dwells in inaccessible light that is darkness to mortal eyes. God lacks nothing (\u201cnor wanting\u201d) and never changes (\u201cnor wasting\u201d), and is undying, unlike mortals, who in a striking image \u201cblossom and flourish like leaves on the tree, then wither and perish.\u201d The original ending of the hymn completes the thought: \u201cAnd so let Thy glory, almighty, impart, \/ Through Christ in His story, Thy Christ to the heart.\u201d \u201cNo one has ever seen God; the only Son, who is in the bosom of the Father, He has made Him known\u201d (John 1:18). Only in Jesus through the proclamation of the Gospel can we know the Father. John Roberts, in Welsh Ieuan Gwyllt (1822-1877), composed the tune ST. DENIO. It is derived from a Welsh folk song Can Mlynned i \u2018nawr\u2019<\/em>\u00a0(\u201cA Hundred Years from Now\u201d).<\/p>\n

\r\n\t<\/div>\r\n","protected":false},"excerpt":{"rendered":"

The Parable of the Workers in the Vineyard, Lawrence Ladd (c. !880)   Mount Calvary Church A Roman Catholic Parish The Personal Ordinariate of S. Peter Eutaw Street and Madison Avenue Baltimore, Maryland Rev. Albert Scharbach, Pastor Andrew Johnson, Organist and Music Director Trinity XV September 20, 2020 8:00 A.M. Said Mass 10:00 A.M. Sung […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[1229,1318,12],"tags":[],"class_list":["post-8113","post","type-post","status-publish","format-standard","hentry","category-hymns","category-mount-calvary-church","category-music","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/comments?post=8113"}],"version-history":[{"count":3,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8113\/revisions"}],"predecessor-version":[{"id":8120,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8113\/revisions\/8120"}],"wp:attachment":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/media?parent=8113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/categories?post=8113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/tags?post=8113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}