{"id":8168,"date":"2020-10-14T05:19:10","date_gmt":"2020-10-14T11:19:10","guid":{"rendered":"http:\/\/www.podles.org\/dialogue\/?p=8168"},"modified":"2020-10-16T14:54:48","modified_gmt":"2020-10-16T20:54:48","slug":"mount-calvary-music-trinity-xix-october-18-2020","status":"publish","type":"post","link":"https:\/\/www.podles.org\/dialogue\/mount-calvary-music-trinity-xix-october-18-2020-8168.htm","title":{"rendered":"Mount Calvary Music: Trinity XIX: October 18, 2020"},"content":{"rendered":"

\"\"<\/a><\/p>\n

The Tribute Money<\/em>, Rubens<\/p>\n

Mount Calvary Church<\/strong><\/span><\/p>\n

A Roman Catholic Parish<\/p>\n

The Personal Ordinariate of S. Peter<\/p>\n

Eutaw Street and Madison Avenue<\/p>\n

Baltimore, Maryland<\/p>\n

Rev. Albert Scharbach, Pastor<\/em><\/p>\n

Andrew Johnson, Organist and Music Director<\/em><\/p>\n

Trinity XIX<\/strong><\/span><\/p>\n

October 18, 2020<\/p>\n

8:00 A.M. Said Mass<\/p>\n

10:00 A.M. Sung Mass<\/p>\n

This mass will be livestreamed.<\/p>\n

Lunch outside after 10 AM Mass, weather permitting.<\/p>\n

___________________<\/p>\n

Organ Prelude<\/strong><\/p>\n

Herr Gott, dich loben alle wir<\/a><\/em> (Lord God, we all praise You), Johann Pachelbel (1653-1706)<\/span><\/p>\n

Johann Pachelbel represents the pinnacle of organ music in 17th-century Southern Germany. A generation before Bach, Pachelbel used chorale tunes as the basis for many of his compositions. This chorale prelude uses the tune OLD HUNDREDTH, played by the pedals below imitative counterpoint in the manuals.<\/p>\n

__________<\/p>\n

Organ Postlude<\/strong><\/p>\n

Processional in D minor<\/em>, Robert Lind (b. 1940),<\/p>\n

Lind succeeded his mentor, Leo Sowerby, as Organist and Choirmaster at the Cathedral of St. James from 1962-1965. Lind has written extensively for the organ while serving various other churches in the Chicago area. This postlude begins with a stately march, followed by a more lyrical contrasting section and a grand recapitulation.<\/p>\n

___________________<\/p>\n

Offertory Anthem<\/strong><\/p>\n

The Lord\u2019s Prayer<\/a><\/em>, John Sheppard (1515-1558)<\/p>\n

Our Father which art in heaven,<\/em>
\nHallowed be thy name,<\/em>
\nThy kingdom come, Thy will be done<\/em>
\nIn earth as it is in heaven.<\/em>
\nGive us this day our daily bread,<\/em>
\nAnd forgive us our trespasses<\/em>
\nAs we forgive them that trespass against us,<\/em>
\nAnd let us not be led into temptation,<\/em>
\nBut deliver us from evil.<\/em>
\nFor Thine is the kingdom and the power,<\/em>
\nTo Thee be all honor and glory forevermore.<\/em>
\nAlways so be it.<\/em><\/p>\n

John Sheppard was an English composer of the early 16th century. This anthem is set largely in imitation with the contour of each melody often reflecting the meaning of the text. For example, \u201cThy will be done in earth\u201d falls down the scale as if descending from heaven, while the text \u201cas it is in heaven\u201d ascends back up the scale.<\/p>\n

_________<\/p>\n

Communion Anthem<\/strong><\/p>\n

Ave verum corpus<\/em><\/a>, William Byrd (1543-1623)<\/p>\n

Ave verum corpus,
\nNatum de Maria virgine;
\nVere passum immolatum
\nIn crucis pro homine.
\nCuius latus perforatum
\nUnda fluxit sanguine.
\nEsto nobis praegustatum
\nIn mortis examine.
\nO dulcis, o pie,
\nO Jesu Fili Mariae,
\nMiserere mei. Amen.<\/em><\/p>\n

Hail, true body,
\nBorn of the virgin Mary;
\nWho has truly suffered, slaughtered
\nOn the Cross for humanity.
\nWhose side was pierced,
\nPouring out water and blood.
\nBe a foretaste for us
\nDuring our ordeal of death.
\nO sweet, o holy,
\nO Jesus Son of Mary,
\nHave mercy on me. Amen.<\/p>\n

William Byrd was a prolific Roman Catholic composer during the musical Renaissance. The composer uses homophony to promote the intelligibility of this sacred text, saving imitation for the final section: a dramatic, repetitive plea for God\u2019s mercy.<\/p>\n

___________________<\/p>\n

Hymns<\/strong><\/p>\n

Jesus shall reign<\/em><\/strong><\/a> is by Isaac Watts (1674\u20131758), who interprets Psalm 72 using a Christological lens. The king referenced in the psalm is Christ, and could be no one else. For Watts, as for the Fathers of the Church, the Old Testament makes sense in light of the New, and vice versa. The tune DUKE STREET was composed by John Warrington Hatton (1710-1793), who supposedly lived on Duke Street in Lancashire, from where his famous tune name comes.<\/p>\n

Jesus calls us o\u2019er the tumult<\/strong> <\/em>is by Cecil Frances Alexander (1818-1895). It contains a revivalist note which was also part of the Oxford Movement, which emphasized the Catholic nature of the Church of England in order to call men to conversion and a holy life. This is a hymn of unmistakable challenge \u2013 in its opening three words and its imperatives (\u2018Christian, love me\u2019, \u2018make us hear\u2019). The tune RESTORATION<\/a> was first printed in William Walker\u2019s Southern Harmony<\/em> (1835).<\/p>\n

Sing praise to God, who reigns above<\/em><\/strong><\/a>\u00a0is a translation by Frances Elizabeth Cox (1812\u20141897) of\u00a0Sei Lob und Ehr\u2019 dem h\u00f6chsten Gut<\/em> by Johann Jacob Sch\u00fctz (1640-1690). He became a Pietist, and the hymn has the warm, affectionate tone of German Pietism. Using a variety of metaphors for God and for His works, this text overflows with proclamations of God’s loving care for His people. This hymn extols the greatness of God in giving all good things to His people and calls on us to continue to give God the praise He richly deserves. \u00a0The tune, MIT FREUDEN ZART, is beloved of the American Moravians. The tune name itself \u2013 \u201cwith tender joy\u201d \u2013 expresses something of the character of the life and music of the Moravians.<\/p>\n

\r\n\t<\/div>\r\n","protected":false},"excerpt":{"rendered":"

The Tribute Money, Rubens Mount Calvary Church A Roman Catholic Parish The Personal Ordinariate of S. Peter Eutaw Street and Madison Avenue Baltimore, Maryland Rev. Albert Scharbach, Pastor Andrew Johnson, Organist and Music Director Trinity XIX October 18, 2020 8:00 A.M. Said Mass 10:00 A.M. Sung Mass This mass will be livestreamed. Lunch outside after […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[1229,1318,12],"tags":[],"class_list":["post-8168","post","type-post","status-publish","format-standard","hentry","category-hymns","category-mount-calvary-church","category-music","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/comments?post=8168"}],"version-history":[{"count":11,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8168\/revisions"}],"predecessor-version":[{"id":8180,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8168\/revisions\/8180"}],"wp:attachment":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/media?parent=8168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/categories?post=8168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/tags?post=8168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}