{"id":8216,"date":"2020-11-06T07:18:19","date_gmt":"2020-11-06T13:18:19","guid":{"rendered":"http:\/\/www.podles.org\/dialogue\/?p=8216"},"modified":"2020-11-07T10:34:33","modified_gmt":"2020-11-07T16:34:33","slug":"mount-calvary-music-trinity-xxii-november-8-2020","status":"publish","type":"post","link":"https:\/\/www.podles.org\/dialogue\/mount-calvary-music-trinity-xxii-november-8-2020-8216.htm","title":{"rendered":"Mount Calvary Music: Trinity XXII: November 8, 2020"},"content":{"rendered":"

\"\"<\/a><\/p>\n

The wise and foolish virgins<\/em><\/p>\n

Mount Calvary<\/strong><\/span><\/p>\n

A Roman Catholic Parish<\/p>\n

The Personal Ordinariate of S. Peter<\/p>\n

Eutaw Street and Madison Avenue<\/p>\n

Baltimore, Maryland<\/p>\n

Rev. Albert Scharbach, Pastor<\/em><\/p>\n

Andrew Johnson, Organist and Music Director<\/em><\/p>\n

Trinity XXII<\/strong><\/span><\/p>\n

November 8, 2020<\/p>\n

8:00 A.M. Said Mass<\/p>\n

10:00 A.M. Sung Mass<\/p>\n

This mass will be livestreamed<\/a>.<\/p>\n

_________________<\/p>\n

Organ Prelude<\/strong><\/p>\n

\u201cPri\u00e8re\u201d<\/a> Jean Langlais<\/span><\/p>\n

Jean Langlais (1907-1991), who was titular organist at the Basilica of Sainte Clotilde in Paris from 1945 until 1987. Blind from the age of two, Langlais studied at the National Institute for the Young Blind, which happened to house one of the finest music schools in Paris. The chant influence and improvisatory nature of this \u201cprayer\u201d typify the composer\u2019s style.<\/p>\n

________<\/p>\n

Organ Postlude<\/strong><\/p>\n

“Sortie in F major” C\u00e9sar Franck<\/span><\/a><\/p>\n

C\u00e9sar Franck (1822-1890), who preceded Jean Langlais at Sainte Clotilde and was professor of organ at the Paris Conservatory. Although this \u201cSortie\u201d (derived from the French verb \u201cto go out\u201d) was originally written for the harmonium, it can be adapted as a rousing organ postlude.<\/p>\n

__________________<\/p>\n

Offertory Anthem<\/strong><\/p>\n

\u201cHear the voice and prayer,\u201d<\/a> Thomas Tallis<\/p>\n

Hear the voice and prayer of thy servants,<\/em>
\nthat they make before thee this day:<\/em>
\nThat thine eyes may be open<\/em>
\ntoward this house night and day,<\/em>
\never toward this place<\/em>
\nof which thou hast said,<\/em>
\n“My name shall be there.\u201d<\/em>
\nAnd when thou hear\u2019st<\/em>
\nhave mercy on them.<\/em>
\n<\/span><\/p>\n

Thomas Tallis (1505-1585) composed for the Church of England in the 16th century. This earnest prayer is an early anthem by this composer and uses both imitation and homophony to clearly articulate the text.<\/p>\n

__________<\/p>\n

Communion Anthem<\/strong><\/p>\n

\u201cIf we believe that Jesus died,\u201d<\/a> John Goss<\/p>\n

If we believe that Jesus died and rose again,<\/em>
\nEv\u2019n so them also which sleep in Jesus,<\/em>
\nWill God bring with Him.<\/em>
\nWherefore comfort one another with these words.<\/em><\/p>\n

John Goss (1800-1880) was an organist and music professor in 19th-century England. Goss sets the first line of text describing the death of Jesus in the minor mode using imitation. He then shifts to the major mode to paint the comforting text, \u201cev\u2019n so them also which sleep in Jesus will God bring with Him.\u201d<\/p>\n

___________________<\/p>\n

Hymns<\/strong><\/p>\n

Wake, awake, for night is flying <\/strong><\/em><\/a>(WACHET AUF) is by Philipp Nicolai (1556-1608), translated by Catherine Winkworth (1827-1878). It is partly based on Matthew 25: 1-13, the parable of the wise and foolish virgins. Nicolai was a pastor in Westphalia during a terrible pestilence, which claimed some thirteen hundred lives in his parish alone. Nicolai turned from the constant tragedies and frequent funerals (at times he buried thirty people in one day) to meditate on \u201cthe noble, sublime doctrine of eternal life obtained through the blood of Christ.\u201d We look forward to the glorious coming of Jesus when He will deliver us from death and bring us into the kingdom of His Father. Here is Bach’s chorale prelude<\/a> on the tune.<\/p>\n

God is my great desire<\/strong> <\/em>is a paraphrase of Psalm 63 by the Anglican priest Timothy Dudley-Smith. The tune LEONI<\/a> is named for Myer Lyon (1751-1797), the cantor \u00a0at the Great Synagogue, Duke\u2019s Place, London.<\/p>\n

The king shall come when morning dawns<\/em><\/strong>\u00a0<\/a>(MORNING SONG) is by the Scottish Free Church minister John Brownlie (1857\u20131925). He translated many Eastern hymns, and this hymn bears the impress of Eastern theology. Infused with the imagery of morning light typical of early Greek hymnody, hymn stirs hope in the hearts of all who look forward to the return of Christ. It is a confession of faith in the sure return of our Lord; his coming again will occur in a blaze of glory, which will far surpass his earthly death and resurrection. The text concludes with a paraphrase of the ancient prayer of the church-\u201cMaranatha,\u201d or \u201cLord, come quickly\u201d (Rev. 22:20). We should not fear, but yearn for the coming of the One we love. MORNING SONG is a folk tune that has some resemblance to the traditional English tune for \u201cOld King Cole.\u201d The tune appeared anonymously in Part II of John Wyeth\u2019s\u00a0Repository of Sacred Music<\/em>\u00a0(1813).<\/p>\n

\r\n\t<\/div>\r\n","protected":false},"excerpt":{"rendered":"

The wise and foolish virgins Mount Calvary A Roman Catholic Parish The Personal Ordinariate of S. Peter Eutaw Street and Madison Avenue Baltimore, Maryland Rev. Albert Scharbach, Pastor Andrew Johnson, Organist and Music Director Trinity XXII November 8, 2020 8:00 A.M. Said Mass 10:00 A.M. Sung Mass This mass will be livestreamed. _________________ Organ Prelude […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[1229,1318,12],"tags":[],"class_list":["post-8216","post","type-post","status-publish","format-standard","hentry","category-hymns","category-mount-calvary-church","category-music","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/comments?post=8216"}],"version-history":[{"count":10,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8216\/revisions"}],"predecessor-version":[{"id":8228,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/posts\/8216\/revisions\/8228"}],"wp:attachment":[{"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/media?parent=8216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/categories?post=8216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.podles.org\/dialogue\/wp-json\/wp\/v2\/tags?post=8216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}