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<\/a><\/p>\nMount Calvary<\/strong><\/span><\/p>\n A Roman Catholic Parish<\/p>\n The Personal Ordinariate of S. Peter<\/p>\n Eutaw Street and Madison Avenue<\/p>\n Baltimore, Maryland<\/p>\n Rev. Albert Scharbach, Pastor<\/em><\/p>\n Andrew Johnson, Organist and Music Director<\/em><\/p>\n The Feast of Christ the King<\/strong><\/span><\/p>\n November 22, 2020<\/p>\n 8:00 A.M. Said Mass<\/p>\n 10:00 A.M. Sung Mass<\/p>\n This mass will be livestreamed<\/p>\n _________________<\/p>\n Organ Prelude<\/strong><\/p>\n \u201cSuite M\u00e9di\u00e9vale: Pr\u00e9lude\u201d<\/a> Jean Langlais<\/span><\/p>\n Jean Langlais (1907-1991) was\u00a0 a blind composer and professor who was titular organist at the Basilica of Sainte Clotilde in Paris from 1945 until 1987. This prelude is the first movement from his \u201cMedieval Suite,\u201d which combines ancient Notre-Dame polyphony with Langlais\u2019 20th-century harmonic language. The composer quotes the Gregorian chant, \u201cAsperges me,\u201d entirely appropriate for a processional at Ste. Clotilde.<\/p>\n Organ Postlude<\/strong><\/p>\n \u201cPasticcio\u201d<\/a> Jean Langlais<\/span><\/p>\n \u201cPasticcio\u201d is the final piece from Langlais\u2019 Organ Book<\/em>, which was a wedding present to Jacqueline, the daughter of his first organ teacher, Andr\u00e9 Marchal. The regal opening gesture grows in intensity with each repetition, ending with nearly full organ.<\/p>\n _________________<\/p>\n Anthems<\/strong><\/p>\n \u201cO God, the King of glory\u201d<\/a> Henry Purcell<\/p>\n O God, the King of glory,<\/em> Henry Purcell (1659-1695) was organist at Westminster Abbey from 1679 until his premature death. The composer alternates between homophonic and polyphonic sections of contrasting mood depending on the text.<\/p>\n __________<\/p>\n \u201cO Sacred Feast\u201d<\/a> Healey Willan<\/p>\n O Sacred Feast, wherein Christ is received,<\/em> Healey Willan (1880-1968) was a well-known Canadian organist, composer, and teacher of the 20th century. He wrote this simple eucharistic motet in 1924, a few years into his appointments at the Toronto University and the Church of St. Mary Magdalene.<\/p>\n ________________<\/p>\n \nHymns<\/strong><\/p>\n All hail the Power of Jesus’ name<\/strong><\/em> <\/a>(DIADEM) is by Edward Perronet (172?\u20131792), a member of a Swiss Huguenot family who emigrated to England. He was an associate of the Wesleys. The hymn is one of the most popular in all Christian churches. It begins with a reference to Philippians 2:10: \u201cat the name of Jesus every knee should bow.\u201d In our version the hymn addresses Israel, the chosen people, and then the Gentiles, every nation and tribe, and calls them to join in celebrating the Kingship of Jesus. The song of celebration is \u201ceverlasting\u201d: as we sing this hymn we join in the song of the angels and saints, a song that will go on forever.<\/p>\n
\nwho hast exalted thine only Son Jesus Christ<\/em>
\nwith great triumph into heav\u2019n:<\/em>
\nWe beseech thee, leave us not comfortless;<\/em>
\nbut send to us thine Holy Ghost to comfort us,<\/em>
\nand exalt us unto the same place<\/em>
\nwhere our Saviour Christ is gone before us. Amen.<\/em>
\n<\/span><\/p>\n
\nthe memory of His Passion is renewed in us,<\/em>
\nour souls are filled with grace,<\/em>
\nand the pledge of everlasting glory is given unto us.<\/em>
\nAlleluya.<\/em><\/p>\n