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A Unexpected Event at Church

November 25, 2018 in Mount Calvary Church 1 Comment

 

Our pastor’s wife went into labor with their ninth child this morning, a little earlier than expected, so the pastoral associate had to find a priest at the last minute. He found a Ugandan priest who gave a good sermon. But the priest was not familiar with the Ordinariate liturgy, and I also heard that non-Ordinariate priests were not supposed to use our liturgy, so we ended up with a slightly confusing union of the two. The most important thing was that the ushers were unsure when to take up the collection and didn’t do it during the offertory, so we had one after communion – as someone said the second collection is a sure sign of the validity of the mass. There was a little consternation about the disorganization, but most people realized we were lucky to have a priest on such short notice.

In the Catholic Church one must flexible. Once in Montreal an elderly and very deaf priest was saying mass. He did not notice that he had turned two pages during the canon, and he skipped the consecration. The congregation slowly began realizing something was amiss, and the server tried to tell the priest what had happened. But the priest had turned off his hearing aid and ignored the server. The server went to the sacristy and found another priest, who went to the tabernacle to get a ciborium of previously consecrated hosts and distributed them. The celebrant distributed the non-consecrated hosts. Some of us made a sacramental communion, and others made a spiritual communion! Both were pleasing to God. Tertullian said, Credo quia absurdum. I say, I believe because it is so eccentric. Will Rodgers said, “I belong to no organized party. I ‘m a Democrat.” I often feel the same way about the Catholic Church

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Mount Calvary Music November 25, 2018

November 20, 2018 in hymns, Mount Calvary Church, Music No Comments

Christ the King, Nigeria

Mount Calvary Church

A Roman Catholic Parish

The Ordinariate of the Chair of S. Peter

Anglican Use

Madison Avenue and Eutaw Street

Baltimore, Maryland

The Feast of Christ the King

November 25, 2018

10 A.M. Sung Mass

___________________

Common

Missa de S. Maria Magdalena, H. Willan

____________________

Anthems

Henry Purcell (1659–1695)

O God, the King of glory, who hast exalted thine only Son, Jesus Christ, with great triumph into heaven, we beseech thee leave us not comfortless, but send to us thine Holy Ghost to comfort us, and exalt us to the same place where our Savior Jesus Christ is gone before us, Amen.

Here is the Choir of New College, Oxford.

__________

Eric Spengler

Sedebit Dominus Rex in aeternum.

Dominus virtutem populo suo dabit. Dominus benedicet populo suo in pace.

The Lord shall sit King for ever. The Lord will give strength to his people. The Lord will bless his people with peace.

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Hymns

All hail the power of Jesus’ name (DIADEM) is by Edward Perronet (172?–1792), a member of a Swiss Huguenot family who emigrated to England. He was an associate of the Wesleys. The hymn is one of the most popular in all Christian churches. It begins with a reference to Philippians 2:10: “at the name of Jesus every knee should bow.” In our version the hymn addresses Israel, the chosen people, and then the Gentiles, every nation and tribe, and calls them to join in celebrating the Kingship of Jesus. The song of celebration is “everlasting”: as we sing this hymn we join in the song of the angels and saints, a song that will go on forever.

Here is St. Paul’s Chamber Choir. Here is a version with brass and timpani, the First Plymouth Church of Lincoln, Nebraska.

Prepare the royal highway (MESSIAH) was written by the Swedish bishop Franz Michael Franzén (1772–1847). Its beginning is based on Isaiah 40:4 “Every valley shall be exalted, and every mountain and hill shall be made low: and the crooked shall be made straight, and the rough places plain,” which for English-speakers forever echoes the aria from Handel’s Messiah. But the hymn conflates all the comings of God: Jesus’ birth, His entry into the repentant soul, His triumphal entry into Jerusalem, His coming into the world to establish his kingdom of peace and love, and His final coming at the end of time.

Here is a home school choir. Here it is on the hammered dulcimer. And the piano. Here is Swedish soprano Sissel Kyrkjebø singing a modernized version of the original Swedish Bereden väg för Herran

The king shall come when morning dawns (MORNING SONG) is by the Scottish Free Church minister John Brownlie (1857–1925). He translated many Eastern hymns, and this hymn bears the impress of Eastern theology. Infused with the imagery of morning light typical of early Greek hymnody, hymn stirs hope in the hearts of all who look forward to the return of Christ. It is a confession of faith in the sure return of our Lord; his coming again will occur in a blaze of glory, which will far surpass his earthly death and resurrection. The text concludes with a paraphrase of the ancient prayer of the church-“Maranatha,” or “Lord, come quickly” (Rev. 22:20). We should not fear, but yearn for the coming of the One we love.

Here is a concert in the Gymnasial Kirche, Osnabrück.

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Two Steps Back, One-Half Step Forward

November 13, 2018 in Pope Francis, sexual abuse 1 Comment

Pope Francis at last moment orders the American bishops not to vote on the (admittedly weak) proposals about sexual abuse (Two Steps Back)

Pope Francis has put Archbishop Scicluna in charge of sexual abuse matters in the Congregation for the Doctrine of the Faith   (One-Half Step Forward)

Pope Francis calls February meeting on all heads of bishops’ conferences to discuss sexual abuse (Forward? Backward?)

Francis forbade the American bishops to vote on weak proposals for a code of ethics for bishops and for a lay investigative body to take allegations against bishops, Did Francis thinks these proposals were too weak or too strong?

Scicluna in an honest man. He investigated Maclel and brought the truth to Pope Benedict. He also investigated Chile and Francis acted on the findings. So his appointment is a good sign. But what will he be allowed to do and what will Francis do with the information that Scicluna gives him?

What will the February meeting of bishops from all over the world decide to do? Many bishops in the Third World deny that there is any serious problem with sexual abuse in their countries. So it in unlikely that they will vote for any strong measures, unless Francis insist on them.

Is Francis engaged in delaying tactics, hoping that publicity and anger will evaporate and that he can get on with the serious business of dealing with the environment? Or is he fumbling and erratic? Or does he basically not care about the Church in the United States, which is only 3% of the world’s Catholics?

Stay tuned.

 

 

 

 

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Mount Calvary Music: November 18, 2018

November 12, 2018 in Uncategorized No Comments

Mount Calvary
A Roman Catholic Parish
The Ordinariate of S. Peter

North Eutaw Street and Madison Avenue
Baltimore, Maryland

Rev. Albert Scharbach, Pastor

November 18, 2018
Trinity XXIV
10 AM Sung Mass

____________________

Common
Missa de S. Maria Magdalena, Willan

____________________

Organ Prelude
Prelude and Fugue in G Major, BWV 557

____________________

Organ Postlude
Voluntary in G, Stanford

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Anthems

William Byrd 1540–1623

Vigilate, nescitis enim quando dominus domus veniat, sero, an media nocte, an gallicantu, an mane. Vigilate ergo, ne cum venerit repente, inveniat vos dormientes. Quod autem dico vobis, omnibus dico: vigilate.
Watch ye therefore (for you know not when the lord of the house cometh, at even, or at midnight, or at the cock crowing, or in the morning): Watch therefore, lest coming on a sudden, he find you sleeping. And what I say to you, I say to all: Watch.

Here are The Tallis Scholars.

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Thomas Tallis (1510–1585)

Audivi vocem de caelo venientem: venite omnes virgines sapientissime; oleum recondite in vasis vestris dum sponsus advenerit. Media nocte clamor factus est: ecce sponsus venit.
I heard a voice coming from heaven: come all wisest virgins; fill your vessels with oil, for the bridegroom is coming. In the middle of the night there was a cry: behold the bridegroom comes.

Here is the New York Polyphony

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Hymns

Hark the glad sound (BRISTOL) is by Philip Doddridge (1702–1751), who based it on the passage of Christ’s preaching in the synagogue: ‘he hath sent me to heal the broken-hearted, to preach deliverance to the captives, and recovering of sight to the blind, to set at liberty them that are bruised, to preach the acceptable year of the Lord.’

Here is the tune on the organ.

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O Jesus Christ, remember is by Edward Caswall (1814–1878), an Anglican clergyman who became a Roman Catholic and joined John Henry Newman at the Oratory in Birmingham. This hymn connects the Second Coming with Jesus’ coming in the Eucharist and His presence on the altar. NYLAND is a Finnish folk melody, also used for the hymn In heavenly love abiding.

Here is an arrangement of NYLAND.

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Lo, He comes with clouds descending is by John Cennick (1718–1755) and Charles Wesley (1707–1788). The content of the text and particularly the title are derived from Rev 1:7, which tells of the Second Coming. The tune HELMSLEY is by Thomas Olivers (1725–1799), who heard the tune whistled in the street and derived his melody from music, a sequence is a short melody that is repeated at a different pitch level. In this case (“Alleluia! alleluia! alleluia!”), the melody is repeated once a step lower and then a step higher. Such repetition intensifies the text that is repeated.

Here is the choir of Lichfield Cathedral.

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11/11/11 + 100

November 11, 2018 in war No Comments

Anthem for Doomed Youth

BY WILFRED OWEN

What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

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Mount Calvary and the Great War

November 10, 2018 in Mount Calvary Church No Comments Tags: George Redwood, Mount Calvary, Redwood Cross

The Redwood Cross

Our ceremonial processional cross was given by Mrs. Frank T. Redwood (Mary Buchanan Coale, 1861–1940), who was a member of Mount Calvary. The family lived at 918 Madison Avenue near the church. The father, Frank Redwood, was killed on Thanksgiving Day 1906 in a railway accident.

George Buchanan Redwood, Mrs. Redwood’s first child, was born in 1888. His family had a long military tradition and as a boy was fascinated by soldiers. He attended the Hill School in Pennsylvania and graduated from Harvard in 1910. For a while he considered the ministry while he was working as a reporter for the Baltimore News. George attended military camp in 1915 and 1916 and after the U. S. entered the war was commissioned a lieutenant and served as a scout.

He enjoyed tricking the Germans. He would go through No Man’s Land at night and visit occupied towns, where darkness and his flawless German enabled him to pick up useful intelligence. He would also pick up food and wine from under the Germans’ noses to bring back to his platoon. He would write his reports and include a joke and a line of verse.

He was the first American to capture German soldiers. Of them he wrote “Honestly, I don’t believe in this business of hating your enemy.  It is pitiful when a Boche prisoner, clean cut and apparently a good, intelligent little fellow, asks when of his captors in an awestruck whisper, ‘when are they going to shoot us?’ and after being reassured says, ‘They told me, “woe to you if the Americans ever take you,” and then adds, ‘We thought you were all going to be Indians!’”

A fellow-officer later wrote of Redwood;

Men who went on patrols with him have told me that after leaving the trench and entering No Man’s Land, he always knelt in a shell hole and prayed, and he was always careful not to expose them needlessly in dangerous positions. He always regarded his men. As to himself, he always sought the place of greatest danger…Lieutenant Redwood seems to have been the incarnation of the Christian soldier.

He and his comrades expected death, and they discussed what the life to come would be like. They read in Donald Hankey’s A Student in Arms, “every man who goes to war must, if he is to be happy, give his body, a living sacrifice, to God and to his country. It is no longer his. He need not worry about it.”

During the German offence at Castigny, May 28, 1918, Redwood found the severely wounded Sgt. Max Rosenbaum, who later wrote that Redwood “administered first aid to me, and regardless of his own safety, he carried me back thru intense machine gun fire and intense artillery fire to the back area. While assisting me he was severely wounded, and instead of receiving first aid treatment as I asked him too, he attempted to reach the lines again” to carry out his scouting assignment.

But a shell found him, and his platoon found his body with “a hole above his right temple and a piece of shrapnel through his heart.” He was the first Maryland officer to die in the war.

His platoon carried Redwood to a quarry near Castigny and buried him. One was killed while digging the grave. They placed a propeller from a downed German plane as a cross.

The City of Baltimore changed the name of German St. to Redwood St, in his honor. In November 1919 a tablet was placed in the Cathedral of the Incarnation in Baltimore in memory of George Redwood. It proclaims:

A CRUSADER BLAMELESS AND WITHOUT FEAR.

His brother, Frank Jr., (1904—1923) learned that the girl he loved was engaged to his best friend, who was away at Harvard. He went to his friend’s house, to his friend’s room, took his friend’s pistol, and shot himself through the head.

On the next day, of Mrs. Redwood the Baltimore Sun said:

The Lord loveth whom he chasteneth, we are told, but all who know this heroic and lovely woman will find it difficult to understand why this culminating affliction should have come upon her. If there be tears in Heaven, angels themselves might weep for her. Certainly hundreds of mothers will weep with and her for her today. Human speech can compass no words of consolation for such a case as this. The pathos of it paralyzes the tongue and pen. If there is a God of mercy, as we believe there is, may He give her strength and courage to bear this last and most cruel cross of all.

Her faith was unshaken, and she gave a silver processional cross to Mount Calvary, where her son had been baptized and confirmed and received his Lord in the Eucharist, as a memorial to her son and to his sacrifice.

Lt. George Redwood

The story of George Redwood’s life and death is told in James Carl Nelson’s book, Five Lieutenants: The Heartbreaking Story of Five Harvard Men Who Led America to Victory in World War I.

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Once and Future Popes

November 8, 2018 in Popes 1 Comment

 

Archbishop Viganò (and many others) has called on Pope Francis to resign. He won’t, of course; Francis is a stubborn old man and feels much put upon, merely because he has done what most, if not all, popes have done in handling problems in the church: Blame the messenger and look away.

In any case, we don’t know whom we might get next. It might be someone of Cardinal McCarrick’s ilk, or a favorite of “nighty-night, baby” Cardinal Tobin.
The learned and perspicacious John Bellairs reminds us of Old Anti-Catholic Canards, such as the Pope Joan story. He explains it in this way:

“Some foolish people believe there was once a female Pope who was elected by mistake. This story probably originated several years after the papacy of Ganymede V, a Pope of doubtful masculinity. This golden-haired, rather limp-wristed young man was elected in 1503, after an unusually long run of lecherous Popes; the feeling was that he would reverse the trend. The chronically anti-Catholic historian Furze calls Ganymede “a raving queen,’ but that indelicate epithet is unkindly used against this admittedly confused man, who had a habit of fainting into the arms of Leonardo da Vinci. It is true, of course, that Leonardo’s unfinished painting “Saint Sebastian Dying in a Bed of Zinnias” was inspired by the sight of Ganymede running through the Boboli Gardens, clad only in a kirtle of begonias. But all rumors, true or otherwise, should have stopped when Ganymede was found dead in his bed one summer day in 1505. He had been smothered by orchids, which were poured into the room by the skylight while he slept.”

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Mount Calvary Music: November 11, 2018

November 7, 2018 in hymns, Mount Calvary Church, Music No Comments

 

Mount Calvary Church

A Roman Catholic Parish

The Ordinariate of the Chair of S. Peter

Eutaw Street and Madison Avenue

Baltimore, Maryland

November 11, 2018

10 A.M.

The Anniversary of the Consecration of the Church

________________________

Organ Prelude

Ich Ruf zu dir, Herr Jesu Christ BWV 639, J.S. Bach

Here is  Leo van Doeselaar in the St. Catherine’s Church, Hamburg, Germany.

Organ Postlude

Praeludium in G, BWV 568, J.S. Bach

Here is J. van Oortmerssen

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Anthems

Thomas Tallis (1510-1585)

Hear the voice and prayer of thy servants, that they make before thee this day. That thine eyes may be open toward this house night and day, ever toward this place, of which thou hast said: “My Name shall be there.” And when thou hearest have mercy on them.

Here are Pro Cantione Antiqua & Mark Brown

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Tomás Luis de Victoria (1548-1611)

O quam metuendus est locus iste! Vere non est hic aliud nisi domus Dei et porta coeli.

Oh, how awe-inspiring is this place! Surely this can be nothing else but the house of God and the gate of heaven.

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Hymns

Christ is made the sure foundation is a translation by John Mason Neale (1818-1866) of a seventh-century Latin hymn, Angularus fundamentum, which was used for the dedication of a church. The parallel with Ephesians 2:20-22 is striking: “having been built on the foundation of the apostles and prophets, Jesus Christ Himself being the chief cornerstone, in whom the whole building, being fitted together, grows into a holy temple in the Lord, in whom you also are being built together for a dwelling place of God in the Spirit”. Neale became an Ago-Catholic at Cambridge and was of the first to translate Latin hymns for the English hymnal.

Here is a parish singing it.

How lovely is Thy dwelling place. This metrical psalm was the version of Psalm 84 in the first Scottish psalm book after the Reformation. The tune BROTHER JAMES’S AIR is by James Leith Macbeth Bain (1840-1925), a healer, mystic, and poet known simply as Brother James.

Here is the Mormon Tabernacle Choir using the tune for Psalm 23.

Glorious things of thee are spoken is by John Newton (1725-1807), whose most famous hymn was Amazing grace. This hymn uses the image of the city of Zion, an image based on visionary passages such as Isaiah 26: 1 and 4: 5-6, Psalm 87: 3, Psalm 132: 14, Psalm 46: 4 and Revelation 1: 6. The tune AUSTRIA, composed by Franz Joseph Haydn from a Croatian folk hymn, was later used by Haydn in his string quartet in C, Op. 70, No. 5, “The Emperor.”

Here is St. John’s, Detroit.

 

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Republican Weather

November 6, 2018 in Politics, Uncategorized No Comments Tags: elections, weather

The weather on Election Day can affect the outcome.  I suspect the Republican National Committee hires Hopis to do a rain dance.

The New York Times reports:

Multiple studies have shown that bad weather on Election Day can decrease turnout, which in turn tends to help Republicans, because the groups most likely to be deterred from voting are those that tend to vote Democratic.

Bad weather may even influence voters to vote Republican.

Multiple studies have shown that bad weather on Election Day can decrease turnout, which in turn tends to help Republicans, because the groups most likely to be deterred from voting are those that tend to vote Democratic. But a more recent study, published last November in the journal American Politics Research, found that the political effects of Election Day storms may go beyond turnout. Among voters who do turn out, one of the study’s co-author said, slightly more tend to vote Republican when the weather is bad.

“Not just whether to vote but how to vote can be influenced by the weather,” said the co-author, Yusaku Horiuchi, a professor of government at Dartmouth. “When the weather is bad, people’s mood is affected. People tend to be more risk-averse. When people become more risk-averse, people are more likely to be more conservative, and therefore they’re likely to vote for the Republicans instead of the Democrats.”

The first effect is very insulting to Democrats: they won’t go out in the rain to vote.

The second effect is insulting to Republicans: they judge the state of the Union by the state  of the weather.

Perhaps the Democrats should try to move elections to May, a fairly dry and cheerful month in most of the U.S.

I remember after the Democratic debacle in 2016, various pundits tried to come up with a rational way of restricting the electorate to those who  had a faint idea about how the government worked – the modern version of a literacy test. But every way, such as requiring an elementary civics test (e.g. name the three branches of government) would end up eliminating large numbers of Democratic voters and guaranteeing a permanent Republican majority, so that idea was dropped.

Speaking of restricting the electorate. After the Civil War blacks received the franchise. In the deep South violence was used to intimidate black voters.

Baltimore was much more civilized. Before the general election, white Democratic political bosses would meet with the black Republican bosses. The white bosses would tell the black bosses that the white bosses would pay the black bosses for every black who did NOT vote. The black bosses would then sponsor picnics way out in the country and offer free excursions on the Bay. After the election they would go over the voting  lists with the white bosses and receive their pay for every black non-voter.

Corrupt – yes, but in fairly civilized fashion. I am not even sure it was illegal.

Nowadays the Democrats think they are being defeated by angry white working class men. Perhaps the Democrats could sponsor all day demolition derbies and Nascar races, with free beer, from 7 AM to 8 PM on election day. This would certainly lead to an era of good feelings, if nothing else.

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Mount Calvary Music November 4, 2018

November 1, 2018 in hymns, Mount Calvary Church, Music No Comments

HEAR O ISRAEL

 

Mount Calvary Church

A Roman Catholic Parish

The Ordinariate of the Chair of S. Peter

Eutaw Street and Madison Avenue

Baltimore, Maryland

Rev. Albert Scharbach, Pastor

10 A. M. Mass

November 4, 2018

Trinity XXIII

___________________

Common

Missa S. Maria Magdalena, H. Willan

___________________

Organ

Postlude in D minor, Johann C.H. Rinck

Here is the Geneva Presbyterian Church of Laguna Hills

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Anthems

Thomas Tallis (1510-1585)

A new commandment give I unto you, saith the Lord, that ye love together, as I have loved you, that even so ye love one another. By this shall every man know that ye are my disciples, if ye have love one to another.

Here is the Schola Basilicae of St. Patrick’s Basilica. Ottawa, Ontario

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Thomas Tallis (1510-1585)

Te lucis ante terminum, Rerum Creator poscimus, Ut solita clementia Sis praesul ad custodiam. Procul recedant somnia, Et noctium phantasmata: Hostemque nostrum comprime, Ne polluantur corpora. Praesta pater omnipotens, Per Jesum Christum Dominum, Qui tecum in perpetuum, Regnat cum Sancto Spiritu.

Here is the Concordia Chamber Choir

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Hymns

All people that on earth do dwell is from the Genevan Psalter. This was compiled over a number of years in the Swiss city of Geneva, a center of Protestant activity during the Reformation, in response to the teaching of John Calvin that communal singing of psalms in the vernacular language is a foundational aspect of church life. This contrasted with the prevailing Catholic practice at the time in which sacred texts were chanted in Latin by the clergy only. Calvinist musicians including Bourgeois supplied many new melodies and adapted others from sources both sacred and secular. The final version of the psalter was completed in 1562. Calvin intended the melodies to be sung in plainsong during church services, but harmonized versions were provided for singing at home. The tune OLD HUNDREDTH, partially by Louis Bourgeoise, is perhaps the most familiar hymn tune in the English-speaking world.

Here is King’s College, Cambridge.

Jesus, Thou joy of loving hearts  is a translation by the Congregationalist minister Ray Palmer (1808-1887) of ‘Iesu dulcedo cordium’, part of ‘Iesu dulcis memoria,” which is sometimes attributed to St. Bernard, but was probably by a twelfth-century English monk or nun. The hymn celebrates the joy that we have in Jesus — the peace that his love imparts — the filling of our souls through the Bread and Wine of the Eucharist.

Her is the tune ABENDS.

Praise to the living God is the work of three translators, a rabbi and two Unitarian ministers, of the Yigdal by the fourteenth century Daniel ben Judah. The Yigdal is a metrical paraphrase of the thirteen articles of Jewish faith drawn up by Maimonides (Moses ben Maimon, 1130-1205). The tune LEONI is named after the celebrated cantor Meyer Lyon (1751-1797), whom Thomas Olivers heard singing this tune at the Great Synagogue in London.

Here is a great organ accompaniment.

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Mount Calvary All Souls Day 2018

October 29, 2018 in death, hymns, Mount Calvary Church, Music 1 Comment Tags: All Souls, Dies irae

Mount Calvary Church

A Roman Catholic Parish

The Ordinariate of the Chair of St. Peter

Eutaw Street and Madison Avenue

Baltimore, Maryland

All Souls’ Day

November 2, 2018

7:00 P.M.

The Common, Proper and Dies Irae will be in plainchant

Here is the Latin Dies Irae

Hymns

Jesus son of Mary was written by Edmund Stuart Palmer (1856–1931) in Swahili as ‘Yesu Bin Mariamu’ sometime before 1901, for the Requiem of a colleague. Palmer was a doctor and Anglican cleric who preached and practiced medicine in Zanzibar and East Africa.

Here is the tune we will use ADORO DEVOTE.

Here is the choir of All Saints with the original tune for the Swahili hymn.

Abide with me was written by the Scottish Anglican clergyman Henry Francis Lyte (1793–1847). The hymn is based on Luke 24:29, part of a post-Resurrection narrative telling the story of Emmaus: “But they constrained him, saying, Abide with us: for it is toward evening, and the day is far spent. And he went in to tarry with them.”  Lyte takes the quotation and turns it into a metaphor for human life in all of its brevity. At the same time, by changing ‘Abide with us’ into ‘Abide with me,’ he deepens the feeling by making it speak to the individual, in prayer or meditation. It is perhaps the personal intensity of the text, the use of the metaphor of evening and the closing line, “In life, in death, O Lord, abide with me,” that makes this hymn a favorite at requiems.

Here is the Kings College Choir, Cambridge.

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Day of Wrath

The tune of the Dies Irae is used scores, probably hundreds of times, in classical music. As the themes of Death, Judgement, and Wrath have been softened or have disappeared from mainline Christianity, the Dies Irae has become more and more prominent in popular culture. Death is dreadful, and there is no escape, as we all, believers and non-believers, deep down know.

A Musical History of Death: “Exit Music” by Tom Allen

 

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Mount Calvary: Music for All Saints’ Day 2018

October 29, 2018 in hymns, Mount Calvary Church, Music No Comments

 

Mount Calvary Church

A Roman Catholic Parish

The Ordinariate of the Chair of St. Peter

Eutaw Street and Madison Avenue

Baltimore, Maryland

All Saints’ Day

November 1, 2018

7:00 P.M.

_____________________

Common

Missa Aeterna Christi Munera, Palestrina

______________________

Anthems

Tomas Luis de Victoria (1548-1611)

O quam gloriosum est regnum, in quo cum Christo gaudent omnes Sancti! Amicti stolis albis, sequuntur Agnum, quocumque ierit.

O how glorious is the kingdom in which all the saints rejoice with Christ, clad in robes of white they follow the Lamb wherever he goes.

Here are the Voices of the Ascension

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William Byrd (1540-1623)

Gaudeamus omnes in Domino diem festum celebrantes sub honore Sanctorum omnium: de quorum solemnitate gaudent angeli, et collaudant Filium Dei. Exsultate iusti in Domino: rectos decet collaudatio. Gloria Patri. Gaudeamus.

Let us all rejoice in the Lord celebrating the feast in honour of all the saints, in which solemnity the angels rejoice, while the Archangels praise the Son of God. Ring out your joy to the lord, O you just; for praise is fitting for loyal hearts. Glory be. Let us all rejoice.

Here are the Cambridge Singers

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Hymns
Who are these like stars appearing is by Heinrich Theobald Schenk (1656-1727), translated by Frances Elizabeth Cox (1812-1897).

The first two verses of the hymn are a description of the saints arrayed before God’s throne, asking the question: who are they? Verse three begins to answer the question. So verse four is an answer to the question of who are the saints? What is wonderful about verse four is that it describes people who do not simply submit to God’s will: “who in prayer full oft have striven with the God they glorified.” In other words, their prayer has often been an intense struggle with God. It’s a powerful description of one aspect of a devout Christian life. Like Jacob, we often wrestle with God about His seeming absence in our anguish; Jesus too cried “my God, my God, why hast Thou forsaken me?”

Here is the Wakefield Cathedral Choir.

There is a land of pure delight. This hymn, by Isaac Watts (1674—1758), reminds of why All Saints’ Day and All Souls’ Day are adjacent: only through death can we come to the realms of eternal life. For a Christian, death is painful, but we are consoled by the hope that once we cross Jordan’s stream we shall be forever with our Father in the true Canaan, the Promised Land.

Here is the tune CAPEL by Ralph Vaughn Williams

For all the saints is by the Anglican bishop William Walsham How (1823—1897), who was a great friend of the poor of his diocese, and was known variously as ‘the children’s bishop’, ‘the poor man’s bishop’ and ‘the omnibus bishop’ (the last referring to his preferred means of travel about his diocese).

This hymn derives much of its power from its ability to capture the spirit of the Church Militant here on earth, using imagery from the book of Revelation. Vaughan Williams composed the tune SINE NOMINE (‘without a name’) for this hymn. It has been suggested that the name of the tune refers to the countless number of saints who are not remembered by name but who are part of the ‘glorious company’.

Here is the St. Edmundsbury Cathedral Choir.

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Mount Calvary Music October 28, 2018

October 24, 2018 in hymns, Mount Calvary Church No Comments

 Healing of Bartimaeus, Eustache Le Sueur 1625-1650

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Mount Calvary Church

Eutaw Street and Madison Avenue

Baltimore, Maryland

A Parish of the Roman Catholic Ordinariate

The Chair of Saint Peter

Trinity XXII

October 28, 2018

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Ordinary: H. Willan

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Organ Prelude

Toccata in F BuxWV 157, Dietrich Buxtehude (1637-1707)

Here is François-Henri Houbart.

Organ Postlude

Ein feste Burg, Johann Gottfried Walther (1684-1748)

Here is Harm Woltjer op het orgel van de grote of sint Janskerk te Wijk bij Duurstede.

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Anthems

Heinrich Schütz (1585-1672)

Die mit Tränen säen, werden mit Freuden ernten.
Sie gehen hin und weinen
und tragen edlen Samen
und kommen mit Freuden
und bringen ihre Garben

Here is Sestina Vocale.

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Antonio Caldara (1670-1736)

Transeunte Domino clamabat coecus,
Jesu, Fili David, miserere mei.

Here is the United Continuo Ensemble.

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Hymns

Thine arm, o Lord, in days of old  is by Edward Hayes Plumptre (1821–1891), who wrote it for King’s College Hospital, of which he was chaplain.

The hymn’s biblical basis is in the healing miracles of Jesus described in the first nine chapters of St. Mark, particularly Mark 6:53-56. The hymn strikes a positive note, with words such as ‘strong’, ‘calmed’, ‘almighty’, ‘deliverer’ and ‘soothe’ stressing both the power and gentleness of God. The first verse describes the sick, with their various afflictions, coming together to seek healing from Jesus. The second verse draws in both those who are able to go about their business and the bedridden, ‘in crowded street, by restless couch’ and links them to those healed in the past ‘by Gennesareth’s shore’. In the third verse, both the healers and the sick ask for God’s help and support and take part together in praising him.

Here is Norwich Cathedral Choir.

Comfort, comfort ye my people is a paraphrase of Isaiah 40:1-5, in which the prophet looks forward to the coming of Christ. More specifically, the coming of the forerunner of Christ – John the Baptist – is foretold. Though Isaiah’s voice crying in the desert is anonymous, the third stanza ties this prophecy and one from Malachi (Malachi 4:5) to a New Testament fulfillment. “For Elijah’s voice is crying In the desert far and near” brings to mind Jesus’ statement, “’But I tell you that Elijah has already come, ….’ Then the disciples understood that he was speaking to them of John the Baptist.” (Matthew 17:12, 13 ESV).

This hymn is a translation by Catherine Winkworth (1827–1897) of Tröstet, tröstet meine Lieben, by Johann Olearius (1611–1684).

Here is the Canto Deo Choir. Here is a lively version by the First Plymouth Church of Lincoln, Nebraska.

Hail to the Lord’s anointed, a free paraphrase of Psalm 72, was written by the Moravian James Montgomery (1771–1854). Psalm 72 is a well-known prophecy of the coming Messiah – foretelling the reign of the King and what the Kingdom of that Messiah will be like. But perhaps more than a prophecy, Psalm 72 is a prayer. In these verses the psalmist calls upon God to give justice and righteousness to the King, perhaps the newly crowned earthly king of Israel, but also the heavenly king. It is a cry for the deliverance of a broken people, for the realization of peace and light. The Messiah already brings justice and healing to the oppressed, as a foretaste of His final triumph over sorrow, sin, and death.

Here is St. Bartholomew’s.

The tune WOODBIRD is from a folk song, ES FLOG EIN KLEINS WALDVÖGELEIN. Here is the song and here are the words:

Es flog ein kleins Waldvögelein,
der Liebsten vor die Tür,
klopft an mit seinem Schnäbelein,
gar still mit aller Zier:
Ich bin soweit geflogen
in Kummer und Sorgen groß,
doch still und ganz verborgen
der Liebsten in ihrn Schoß.So grüß dich Gott im Herzen,
du schöns Waldvögelein!
Vertreibst mir viel der Schmerzen,
daß du bei mir kehrst ein:
Bist du so weit geflogen
in Kummer und großer Gefahr:
Dir bleib ich g’neigt und g’wogen
mit großer Liebe gar!Bin ich geflogen über Berg und Tal
doch mit sehr großer Müh:
Und such mein Lieb ganz überall,
trag Sorg, sie sei nicht hie.
Herzlieb! bist du vorhanden,
tröst mich Waldvögelein,
in dein schneeweiße Hände
schleuß du, Herzlieb, mich ein!

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White People’s Problems in Roland Park

September 3, 2018 in Uncategorized No Comments

Baltimore has a horrendous homicide rate; young blacks males are the perpetrators and victims. The police, black and white, are not much help, and sometimes make things worse.

Yet life goes on in Roland Park, bastion of Whiteness.

Courtesy über alles

A stop light in Roland Park has become the favorite venue of panhandlers. They supplement their income by going through        unlocked cars at night and removing unwanted change and left behind trifles.

One woman helped herself to a pair of new and distinctive running shoes that the wife had forgotten in the car. She was caught on security camera and the husband recognized her.

When he stopped at the aforesaid light, he noticed the thief was wearing the shoes. He criticized her roundly for stealing them. She claimed someone had given them to her.

When he returned home and reported his discovery, his wife was horrified by his discourtesy to the thief, and made him go back and apologize.

Flashback

This reminds me of an incident in the nineteenth century involving the Episcopal bishop, William Whittingham

Late one night he heard some one engaged in forcing a door in the back part of his house, which is reached by a private alley having but one outlet. Without hesitation and without calling for any aid he went out from the front door, entered the alley, closed the door behind him, and thus had the robber without means of escape except over him. A struggle followed, but he proved to be the stronger and dragged the burglar into the house. Here, after a lecture, he was about to give the conveyancer an opportunity to try his luck elsewhere, when the fellow complained that in the fight his hat had been demolished, and he had the impudence to ask for another. The bishop ordered one to be given him; but the family refused to obey their head, and through their lack of charity the poor thief was turned out with the chance of catching cold.

The Squirrel War

A friend lives an old shingle house and has conducted a decades-long battle against the squirrels that infest his attic and walls. His weapon is the Have a Heart Trap; he catches the squirrels and releases them n the grounds of St, Mary’s Seminary, where, as is well known, there are many nuts.

Recently the squirrels started helping themselves to the tomato crop, and he sent a trap.

What he did not reckon with is Next Door, the website that has replaced the back fence, with about the same degree of accuracy.

Someone in horror posted that someone was TRAPPING ANIMALS! (coyotes, beaver, bear?) This led to a string of remarks expressing dismay and the desire to do something about this trapper. There were plans afoot to steal the trap.

My friend noticed this strong and decided that he didn’t want to lose the trap, so he removed it.

Then someone posted that she had walked by the house thirty minutes ago and that the villain had removed the trap. He realized his house was under surveillance.

Then there were smug exchanges that the guilty party had been EDUCATED, My friend felt he was undergoing reeducation in the Cultural Revolution in Mao’s China.

We had just come back from the West so I suggested that I could get him a coyote skin which he could nail to the wall at the front of his house. There are also numerous stuffed squirrels available in junk shops. These could be placed strategically in windows. He might also send recipes for Kentucky Burgoo (Take one squirrel and skin it…) to the Roland Park Magazine.

He has not taken me up on my offer.

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Archbishop Vigano Remembers Renaissance Popes

September 2, 2018 in Popes 2 Comments Tags: Bad Popes, John Bellairs

Archbishop Viganò has gone into hiding, supposedly saying that he feared for his life. Some have suggested he has read too many Dan Brown novels. Or perhaps he remembers how other popes have dealt with critics. We return to the learned John Bellairs and his portrait of a Renaissance pope under the topic Bad Popes:

The worst Renaissance Pope was Bragghimento dei Crudelissimi, who took the name Sporus VI (1540–1565). His election took place under most peculiar circumstances, since the Curia in 1540 had been drastically reduced by plague, sudden death, and a drowsy euphoria that came drifting out of the Pontine Marches like  the exhalation of some besotted giant.

At Sporus’ election, fifteen prelates were present, wot an average age of eighty-six. Eight were certainly senile, and there may be some question about Balbo of Genoa, who kept spilling his ink during the balloting, and who constantly referred to the cardinal next to him as “Rosa.”

The fifteenth ballot had been reached when a disturbance arose over pens. Old Cardinal Schotto of Mainz had broken his and could not secure another from the proctors, whom he accused (loudly) of being in the pay of the Italians. He advanced to the idle of the room, denouncing violently, and was met by three proctor, two Italian cardinals, and Scataphorus, the ninety-eight-year-old Patriarch of Alexandria, who was trying (in a general way) to find the bathroom.

(We shall draw a veil over the disturbance.)

After this unseemly tiff, the balloting proceeded,  although Cardinal Schotto never did get a pen, and afterwards boasted that he had  marked his ballot with soot from the Greek patriarch’s beard.

Sporus was elected and immediately acknowledged three mistresses, a concubine, and fourteen illegitimate children, supporting this move with his campaign slogan, “Honesty in the Church.” But honesty was not neigh, for he was alas, prone to bribery, nepotism, and murder, and his reign was this pockmarked with many scandals.

Not the least of these incidents was the series of attempts that he and Cardinal Bobbo made to poison each other. The latter sent Pope Sporus a jar of tainted quinces, which were (fortunately) devoured by one of the Pope’s greedy nephews. Sporus responded with a lute filled with tarantulas, which was accompanied by a gaily mocking note in classical Greek hexameters. The cardinal shot back with a music box which, when opened, played early Renaissance music as it fired a small vial of bat saliva at the unlucky recipient. Sporus, however, ended the tomfoolery in a rather crude manner, when he invited Cardinal Bobbo to a card party and threw him down a well.

It must not be forgotten, however, that Pope Sporus VI was a patron of the arts. Up until 1921, one could see near Rome traces of the Villa Pasta, which Sporus built from the ruins of  twenty-five old Roam temples in the vicinity.

Furthermore, he was the patron of Sandro di Garagiola, who did the famous, if fanciful, frescoes entitles “Pope Sporus Debating with Aristotle,” “Pope Sporus Duelling with the Spirits of Nestorius and John Hus,’ and “Pope Sporus Being Begged by the Curia Not to Abdicate and Go Live on Patmos as a Hermit.”

But not even art could preserve Pope Sporus from the recurrent attacks of mal de siècle that sent him, in the twilight of his reign, more and more frequently to Capri. Though he was unsuccessful in establishing that island as the summer residence of the popes, he became a legend there. The islanders still talk of the way he would wander about in brightly flowered robes, leather sandals, and a straw tiara he had had made for him. (Some virulently anti-Catholic historians insist that Pope Sporus wore smoked spectacles with tis costume. This is nonsense.) At last, in October of 1565, this unhappy man was called before that cloudy Bar of Justice on which no early gavel can ring. He was blown off Tiberius’ Leap during a high wind and was drowned.

(Cheer up, it’s been worse.)

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